“I have wrapped many of big productions in my career, but none will ever compare to wrapping RED NOTICE and what this represents."
The crew had some quick thinking to do, after their star 'got stuck' in a Porsche being used for a technical car chase scene.
When you can't take The Rock to Rome, just bring Rome to The Rock. As the saying goes.
“Not all heroes wear capes. Some wear masks. And visors. And have cotton swabs shoved up their noses every day.”
The 'Wonder Woman 1984' star said she planned to tell the Egyptian queen's story from the perspective of women.
After making two “Wonder Woman” films together at Warner Bros., Gal Gadot and Patty Jenkins will head to Paramount to make the historical epic “Cleopatra” after the studio won an intense bidding war for the actor/director duo’s upcoming project.The acquisition is the first major one for Paramount since Emma Watts joined the studio as Motion Picture Group President. Watts, who left 20th Century Fox shortly after its acquisition by Disney, joined Paramount this past June. While Paramount has found dependable success with the “Mission: Impossible” series and solid profits from titles like “A Quiet Place” and “Sonic the Hedgehog,” the studio has been searching for more major blockbuster projects as the once-reliable “Transformers” franchise has faltered at the box office in recent years.Also Read: Here Are All the Studio Movies Still Scheduled to Open in Theaters in 2020 (For Now)In addition to respectively acting and directing on the project, Gadot and Jenkins will both produce alongside Atlas Entertainment’s Charles Roven and Pilot Waves, Jason Varsano, who is Gadot’s producing partner. Laeta Kalogridis, whose credits include “Alexander,” “Shutter Island” and “Alita: Battle Angel,” will write the script and serve as executive producer.Alongside her father, brothers and sons, Cleopatra ruled for 21 years and was the last major ruler of Egypt before it became a province of the Roman Empire. Despite technically sharing the title of regent with others in her family, she was known as dominant ruler of Egypt at the time and became known both in history and popular culture for her romantic and political relationships with Julius Caesar and Mark Antony.Also Read: Patty Jenkins on How 'Wonder Woman 84' Uses the '80s as 'Great Metaphor'Hollywood has tackled Cleopatra’s life several times in the past, but perhaps the most famous is the 1963 sword and sandals epic starring Elizabeth Taylor as the queen with Richard Burton as Mark Antony. The film provided plenty of fodder for the gossip columns as Taylor and Burton had an affair while portraying Cleopatra and Antony’s romance onscreen. Despite being the highest-grossing film that year and winning four Oscars from nine nominations, “Cleopatra” was initially a flop as numerous shooting scandals, including director and cast changes, led to the film becoming the most expensive production in Hollywood history at the time.Jenkins and Gadot’s rise over the past three years has been far less scandalous. “Wonder Woman,” which grossed $812.5 million at the global box office in 2017, holds the record for the highest grossing film directed by a woman. The sequel, “Wonder Woman 1984,” was expected to be one of multiple blockbusters directed by women in 2020 to have an opportunity to crack the $1 billion box office mark; but the COVID-19 pandemic has forced it to be repeatedly delayed. “WW84” is now set for release on Christmas Day, though another delay to 2021 is still possible.Gadot is repped by WME. Jenkins is repped by CAA.Read original story Gal Gadot, Patty Jenkins Reteam for ‘Cleopatra’ at Paramount After Intense Auction At TheWrap
Unlike many directors, who have spent lockdown twiddling their thumbs as productions shut down, Zack Snyder has spent his re-cutting a major blockbuster.
Wonder Woman 1984 director Patty Jenkins turned down the chance to direct Justice League because there were too many characters.
“Justice League,” while certainly never approaching the creative nadir that was the DC movie “Suicide Squad,” is really just not a good movie. It’s silly-but-not-in-a-good-way, it’s nonsensical, it’s sort of inexplicably chaotic. It’s exciting, then, that we’ll eventually be able to compare Joss Whedon’s “Justice League” to the Snyder Cut next year and maybe get a better understanding of what went on here. But while we wait for that day, let’s reflect on the pure madness of the theatrical version.The Atlantis fightJames Wan, who is one of the best filmmakers working today, absolutely knocked all that underwater stuff out of the park in his standalone “Aquaman.” But the Atlantis fight in “Justice League,” on the other hand, was an absolute trash fire that looked just incredibly awful. Whatever Warner Bros. spent on this sequence, it was too much. Woof.Steppenwolf repeatedly talking to “mother”“Justice League” does a pretty poor job of explaining Steppenwolf’s powerful artifacts, the Mother Boxes, which fans of the comics know are actually supercomputers with consciousness. It’s even weirder when Steppenwolf occasionally talks out loud to “Mother,” telling her (?) he’ll be feeding her soon and dropping some other weird lines. The movie never explains that the boxes are actually alive and bond with their owners so strongly that they will self-destruct if the person to whom they’re linked are killed. Anyway, presumably he’s talking to the box(es). Maybe “Justice League” is actually about a guy with a computer pet who’s just trying to be a good friend and get it some snacks.Also Read: Every DC Comics Movie Ranked From Worst to Best, Including 'Justice League'“For Darkseid!”Fans who know something about Steppenwolf know that he’s actually a lieutenant of Darkseid, a supervillain arch-nemesis of the Justice League who’s bent on conquering the universe. For everyone else, Steppenwolf is a pretty obscure character, so his single off-handed mention of the fact he’s doing evil stuff “for Darkseid” is easy to miss and fairly confusing — particularly if you don’t know who Darkseid is and thought he said “Dark Side.” One assumes “Justice League” was, at one point, setting up for Darkseid’s eventual arrival. The movie as it exists is not, aside from that single line.Since Darkseid figured majorly into Zack Snyder’s plans for “Justice League” and its sequel that didn’t end up happening, we should at least finally get some context for this line in the Snyder Cut.SupermouthParamount wouldn’t let Henry Cavill shave his “Mission: Impossible – Fallout” mustache during “Justice League” reshoots, so Warner Bros. decided they’d just try to digitally remove it in post-production. And it is absolutely horrifying. It’s worse than CGI Peter Cushing in “Rogue One” — a cartoon-looking mouth on an otherwise human face will always look more upsetting than that entire cartoon-looking face. Our brains just can’t even fathom this thing.If, for whatever reason, you’d like to bask in the horror that is Superman’s CGI mouth, check out our gallery of the most terrifying shots of that cartoon monstrosity.Also Read: The 10 Most Terrifying Shots of Superman's CGI Mouth in 'Justice League' (Photos)That opening Superman sceneThis weird little home video segment of a kid talking to Supes is a double whammy of existential pain. First, you have the whole CGI mouth thing, which is extremely obvious throughout. Then you have Superman refusing to answer the kid’s question about what his favorite thing about living on Earth is. There’s no thematic payoff to the scene later in the movie, and so it plays like the movie is just trying to dunk on itself.Clark and Lois hanging out in a CGI cornfieldIf you’re going to do an extended green screen scene, maybe it’s best not to throw an extremely colorful, eye-catching background behind your characters. Nobody told “Justice League” this, though, and so there’s a touching scene between Lois Lane (Amy Adams) and Superman standing in a cornfield in Kansas that is extremely, obviously not real. The culprit is probably that glaring gorgeous sunset that makes the outline of the characters a little too obvious. The emotional reunion of Lois and Clark gets seriously undercut by the fact that nobody can stop thinking about how they’re standing on a soundstage. Throw in Superman’s gross CGI smile in for good measure and the whole thing turns into a very dry comedy sketch.Also Read: 'Justice League': What The Hell Is the Deal With Steppenwolf's Mother Boxes?Nobody really cared about Superman returning“Justice League” makes a big deal about Superman being dead. It’s such a blow to the world that crime and terrorism are on the rise thanks to the simple lack of hope he embodied. So resurrecting Superman mid-movie seems like it ought to be a pretty big deal, especially as it is witnessed by at least a few civilians and results and in a big public fight with at least one somewhat-publicly known hero. But almost no acknowledgment is made of Superman’s return, and while his effect on the world is part of the movie’s setup, it’s not at all part of the rest of the plot. There’s no celebration, no montage of racists not being racist anymore to call back to the opening credits. He’s just back, and the movie itself seems to care about that about as much as those ancient humans cared about the security of their Mother Box. Plus… Clark Kent was dead too. Is Superman just going to skip the alter-ego thing from now on or what?Using the “we’re gonna do a thing that will bring the bad guy down on us” trope but no one having any clue that they’re doing itWhen the Justice League decides to use a Mother Box to resurrect Superman, it seems pretty obvious that doing so will attract the attention of the villain who has spent the whole movie trying to round up all the Mother Boxes. Well, it’s obvious to us, anyway, because we’ve all seen a hundred movies, TV shows and video games with that specific trope — you know, the “OK, so we have to flip this switch in order to do something important but it’s definitely going to attract the bad guys to us and cause a big fight” trope. It’s not so obvious to the characters in the movie, though, because they never mention the possibility that Steppenwolf will show up and seem weirdly surprised when he pops in to steal the box right under everyone’s noses. I guess they forgot to make this scene make sense when they rejiggered the plot during reshoots.Cyborg is extremely not stealthyCyborg (Ray Fisher) wears a hoodie when he goes out, but it does almost nothing to contain the fact that he has extremely obvious glowing lights in his face and chest. He also makes a lot of very ominous whirring sounds just by being alive. So it was pretty tough to buy that he was stealthily spying on Diana Prince and Bruce Wayne to suss out their deal before joining the nascent “Justice League,” as he was only about 25 feet away and making a lot of loud weird robot sounds. At least Diana said she was fully aware of him watching just one scene later. But still, you’d think his computer brain would have been slightly smarter.Cyborg’s nonsensical origin recapIntroducing Cyborg in a team-up movie was never a great idea, but it takes quite a while for “Justice League” to explain what his deal even is. Injured in an explosion, Vic Stone’s cool superpowers are the result of interference by one of Steppenwolf’s weirdo Mother Boxes. The apparently sentient supercomputer of incredible power actually reshaped state-of-the-art cyborg enhancements his father Silas gave him in order to save his life after an accident. The result is that Cyborg doesn’t even know what his abilities are and, also, that nobody explains who he is or why he’s a spiffy alien robot man until about halfway through the movie. The rest of the time, the audience has to sit there, confused.Cyborg can’t control his defense systemThe good guys resurrect Superman, who immediately gets mad and makes threatening faces and stuff. And in a moment that is completely out of step with the rest of the movie, Cyborg’s cyborg parts start doing their own thing without his input. There had been no hint before then that that could happen, and it doesn’t happen again even though Cyborg doesn’t appear to take any measures to prevent that situation from arising a second time. Nobody even has the, “Yo, man, is this gonna be a problem?” conversation with him.The ancient people who buried a Mother Box in a 3-foot deep hole next to a riverThe first time Steppenwolf tried to take over Earth way back when, he was defeated by an alliance of the Old Gods, the Amazons, the Atlantians and the humans, who took his Mother Boxes entrusted to each of the civilizations to keep them safe. The Atlantians put theirs in the ocean; the Amazonians built a giant stone vault; and the humans dug a 3-foot hole next to a river and tossed their box in it. This is not the best way to hide, like, anything. It’s probably not a coincidence that this Mother Box is the only one that didn’t stay where it was for the next 5,000 years. A dog probably dug it up the next day.The Russian family the movie keeps cutting toSuperhero movies will often throw a few random civilians in harm’s way in order to show the stakes of the situation. “Justice League” spends several scenes hanging around with a random Russian family who lives unfortunately close to Steppenwolf’s apocalyptic base, hoping to set up a last-second rescue much, much later in the movie. In the meantime, though, this family is stuck in their house hiding from monsters for, like, a week. They never get any characterization or do anything and none of the several scenes about them do anything to push the story forward. This is extremely not how to get the audience to care about regular people in the middle of supervillain danger.Superman showing up and being easily capable of winning the fight at any momentThe Justice League’s final fight with Steppenwolf doesn’t exactly go poorly but, as we’ve seen demonstrated multiple times in the movie before, he’s seemingly a match for any of the super-strong members of the team, and maybe even for all of them put together. Enter Superman, who dodges Steppenwolf’s attacks, pummels him about the face, and is generally capable of putting the supervillain down without a lot of help. But that’s not especially dramatic — so Superman bails mid-fight to go save a building full of civilians. Having a guy on the team who can handle basically any problem on his own kind of undercuts the need for a team, and it sure feels like “Justice League” is looking for a way to get Superman out of there as soon as he shows up. Poor planning for your climax, that.Diana doing The Flash thing and then forgetting she can do that for the rest of the movieWonder Woman’s (Gal Gadot) introductory scene in “Justice League” is actually pretty cool. A terrorist group takes over a bank intent on exploding a bomb that will wipe out several city blocks, apparently because they think that will help push society back to the Dark Ages, which is a good thing for some reason. Whatever — Diana beating people up is what matters, and that goes pretty well. Until, that is, terrorist leader Roose Bolton levels a machine gun on the hostages. Rather than take him out, Wonder Woman moves super-fast to block all of the dozens of bullets he fires with her gauntlet (and casually move one guy out of the way). We know Wonder Woman is extremely super, but apparently racing bullets is now in her repertoire. Kind of makes The Flash (Ezra Miller) obsolete. Then again, she doesn’t use this ability for the rest of the film, even when it would have been super useful in the various fights with Steppenwolf.What does that smell like? FearWhile it was a little frustrating that Superman could have obviously ended the battle with Steppenwolf whenever he felt like, it was just plain goofy what finally brought him down in the end. An earlier, easily missed line in “Justice League” pointed out that his henchmen, parademons, feed on or otherwise are attracted to fear. So when Superman et al. started really giving it to Steppenwolf in a way that suggested he might not win, Batman (Ben Affleck) and Aquaman (Jason Momoa) took a second to point out that he was afraid. The exchange itself was weird — Aquaman asking, “What does that smell like?” and Batman responding, “Fear” — but then Steppenwolf was overwhelmed as his own troopers suddenly decided to turn on him. This was a guy that was batting away Amazons like they were actually insects earlier in the movie, mind you, so his ultimate defeat at the hands of his own not-especially smart bugmen felt pretty forced. LOL.Read original story The Worst Parts of ‘Justice League’ Theatrical Cut, From Superman’s CGI Mouth to That Underwater Battle At TheWrap
Looking very dapper indeed, Ryan Reynolds has shared a shot from the set of forthcoming action-comedy Red Notice.
Jenkins said she wouldn't direct all of the movies, but that she has big plans for the 'Wonder Woman' franchise.
Josh Wolf and a host of other comedians used their coronavirus quarantining downtime to create a parody video of Gal Gadot’s instantly-viral “Imagine” video.The clip — featuring Jeffrey Ross, Sarah Colonna, Jon Ryan, Joey Fatone, Sinbad and Brittany Furlan, among others — starts out, “Imagine there’s no keto / you have to eat mostly carbs / I bought up all of the Purell / just to wash my car.”The rest of the lyrics make references to other hobbies and escapes enjoyed primarily by the wealthy, like dodging urban quarantines by heading to vacation homes or “only” having three cars. When Gadot posted her star-studded version of John Lennon’s “Imagine” Wednesday, one of the immediate criticisms was that it was tone-deaf for featuring rich celebrities who are quarantining in their large homes, recording themselves singing instead of making donations to relief efforts.Also Read: Let Gal Gadot, Mark Ruffalo, Kristen Wiig and More Sing 'Imagine' to Help You Forget Coronavirus (Video)“Hey guys, day 6 in self-quarantine, and I gotta say the past few days got me feeling a bit philosophical,” Gadot said when she posted the video earlier in the week. “You know this virus has affected the entire world, everyone. Doesn’t matter who you are, where you’re from, we’re all in this together.”Avery Pearson, one of the comedians in Saturday’s parody, mirrored that language when he posted the latest video: “We are all in this together,” he quipped.IMAGINE PARODY- we’re all in this together. @realjeffreyross @chelcielynnn @KingBach @MaryLynnRajskub @AveryFunny @sarahcolonna @JonRyan9 @ryansickler @JoshAdamMeyers @jeremiahstandup @realjoeyfatone @JadeCattaPreta @JessimaePeluso @sinbadbad @BrittanyFurlan @adamraycomedy pic.twitter.com/KZROo7b8ay— Josh Wolf (@joshwolfcomedy) March 21, 2020Read original story Comedians Join Forces to Parody Gal Gadot’s Star-Studded ‘Imagine’ Video: ‘Imagine There’s No Keto…’ At TheWrap
Amy Adams won't be returning to the DCEU any time soon, but she'll answer the call if they want her back.
Is Wonder Woman 1984 set in 1984? Or 1969? Because the new posters for the DC movie have a distinctly psychedelic vibe to them.
Oscar producers Lynette Howell Taylor and Stephanie Allain announced the second round of presenters for the awards show which airs on Feb. 9.The diverse group includes Zazie Beetz, Timothée Chalamet, Will Ferrell, Gal Gadot, Mindy Kaling, Julia Louis-Dreyfus, Lin-Manuel Miranda, Anthony Ramos, Mark Ruffalo, Kelly Marie Tran and Kristen Wiig.“We’re excited to welcome these talented artists to help celebrate this year’s movies,” said Howell Taylor and Allain. “Each brings their own unique energy and appeal to our global audience.”They join Olivia Colman, Rami Malek, Mahershala Ali and Regina King, who were announced as the first round of presenters. It’s an Oscars tradition that the acting awards are by last year’s winners.“We love the tradition of having the previous year’s Oscar-winning actors on stage to celebrate the achievements of their peers and are thrilled to welcome back these four great talents,” read a statement from Howell Taylor and Allain.Also Read: Dr Amani Ballour, Subject of Oscar-Nominated 'The Cave,' Receives Heroism Award - But Is Still Barred From USThree of the four actors won their Oscars for playing real-life roles. Malek won Best Actor for his performance as Queen vocalist Freddie Mercury in “Bohemian Rhapsody,” while Colman pulled off a surprise victory for Best Actress for her satirical take on Queen Anne in Yorgos Lanthimos’ “The Favourite.”In the supporting categories, Ali won his second Best Supporting Actor Oscar for his work as jazz musician Dr. Don Shirley in the Best Picture-winning “Green Book,” joining his victory in 2017 for his performance in another Best Picture winner, “Moonlight.” Speaking of “Moonlight,” the director of that film, Barry Jenkins, directed Regina King in her Best Supporting Actress winning performance in “If Beale Street Could Talk.” She played Sharon Rivers, who fights to get her daughter’s soulmate freed after he is falsely convicted on rape charges.Also Read: Antonio Banderas Believes the Oscars Are Finally 'Becoming a Worldwide Award'The tradition of acting Oscar winners presenting awards a year later has gone back decades but has hit a snag in recent years. Last year’s supporting role winners Sam Rockwell and Allison Janney were not initially asked to present the awards, but were later invited after a tweet from Janney noting the lack of contact from Oscar producers prompted a backlash.In 2018, Best Actor winner Casey Affleck announced that he would not present or even attend the Oscars that year, saying he did not want to distract from the actors being honored. Affleck reached settlements with two women in 2010 who accused him of sexual harassment, accusations that resurfaced both before and after Affleck’s Oscar victory for “Manchester By The Sea.”Read original story 2020 Oscars: Zazie Beetz, Lin-Manuel Miranda, Mindy Kaling Among Diverse Group of Presenters At TheWrap
DC fans who have been demanding for Zack Snyder’s original cut of “Justice League” may have just got the Champion of Themiscyra and The Dark Knight on their side, as Gal Gadot and Ben Affleck posted tweets on Sunday that seemed to show support for the fan campaign.Gadot’s tweet had no context; simply a black and white picture of the actress with the hashtag ReleaseTheSnyderCut, which DC fans were trying to get trending on Sunday to mark the second anniversary of the release of “Justice League.” Affleck’s tweet followed two hours later.Snyder, the original director of the film, stepped down during post-production after the untimely death of his daughter. Joss Whedon was hired to finish editing the film and also did reshoots with scenes he wrote himself.ReleaseTheSnyderCut pic.twitter.com/wssMmlPqEK— Gal Gadot (@GalGadot) November 17, 2019ReleaseTheSnyderCut— Ben Affleck (@BenAffleck) November 17, 2019But “Justice League” ended up being no “Avengers,” with lukewarm fan reception and grossing well below $1 billion at the box office. Since then, fans have demanded that Warner Bros. re-release the film in the original cut that Snyder intended, one that original composer Tom “Junkie XL” Holkenborg confirmed had a score composed for it before it was replaced by Whedon.“The full score is still there,” Holkenborg told CinemaBlend last month. “It’s a really great score, and it’s just there. It never goes away. We’ll see what happens in the future, you know?”As for Gadot, she is still an active part of the DC Universe, getting ready to appear as Diana Prince for the fourth time on the big screen in “Wonder Woman 1984,” set for release on June 5.Read original story ‘Justice League': Gal Gadot, Ben Affleck Join Call to ReleaseTheSnyderCut At TheWrap
Fans are in a frenzy after director Patty Jenkins unveils period-appropriate new look for DC's iconic Amazonian superhero.